Arturia Pigments 4 Review
Arturia Pigments 4 is the latest and greatest version of this super popular wavetable synthesizer and virtual instrument that electronic music producers can't get enough of. And let me tell you, this software has come a long way since its early days. Pigments 4 builds upon the already impressive capabilities of Pigments 3, adding even more features and capabilities that will blow your mind (and your speakers).
Arturia Pigments 2 Wavetable/Granular Synthesizer
One of the coolest things about Pigments 4 is its dual oscillator design. This means you can use two different wavetables at the same time, or stack them up for even more complex and rich sound textures. For example, you could use a sawtooth wavetable for the main lead sound and a square wavetable for the sub bass, creating a full and punchy sound that would be difficult to achieve with a single oscillator. This type of sound design can be heard in tracks like "The Middle" by Zedd, Maren Morris, and Grey, where Pigments 4 was used to create the main lead sound. And if that's not enough, Pigments 4 also has a bunch of virtual analog and wavetable synthesis modes, as well as all sorts of effects, filters, and modulation options. Plus, it has an awesome arpeggiator and loads of presets to get you started, and you can even save your own custom presets. Talk about a virtual synthesizer dream come true!
Pigments 4 is also super flexible. It can be used in all sorts of different ways, from creating mind-bending soundscapes to more traditional synth sounds. For example, you could use Pigments 4 to create a complex, evolving pad sound by layering multiple wavetables and using the built-in effects and modulation options. This type of sound design can be heard in the track "Shelter" by Porter Robinson and Madeon, where Pigments 4 was used to create the pad sounds. Or you could use it to create more classic synth sounds, like a warm and punchy bass or a bright and cutting lead. And if you're a control freak (like me), you'll love the customizable interface and workflow that lets you tailor Pigments 4 to your exact specifications. This means you can set it up in a way that makes the most sense for your workflow and production style, making it easier and more efficient to use.
In terms of compatibility, Pigments 4 is available as a standalone application or as a plugin within other DAWs. It supports a wide range of audio file formats and includes a bunch of performance and workflow enhancements that make it easier and more efficient to use. This means you can use Pigments 4 in your preferred DAW, and you can import and export a variety of audio file formats, making it easy to integrate into your existing production setup.
Even famous electronic music producers and DJs are raving about Pigments 4. DJ and producer Richie Hawtin called it "a truly inspiring and innovative instrument that has pushed the boundaries of sound design and synthesis to new heights." I mean, if it's good enough for Richie Hawtin, it's good enough for me (and probably you too). Hawtin has used Pigments 4 in his own productions, including the track "Dekmantel Radio 105" which showcases the software's impressive sound design capabilities.
Now, the one downside to Pigments 4 is its price. It's not the cheapest option out there, but considering all the features and flexibility it offers, it's definitely worth the investment for serious producers.
Comparing Pigments 4 to Pigments 3, it's clear that this is an excellent upgrade. While Pigments 3 was already an impressive wavetable synthesizer and virtual instrument, Pigments 4 builds upon its capabilities and adds even more features and improvements, making it an even more powerful and enjoyable tool for electronic music production. Its expanded synthesis capabilities, range of effects and filters, and improved interface make it even more fun and easy to use, and the performance and workflow enhancements increase efficiency and productivity.
In conclusion, Arturia Pigments 4 is an excellent wavetable synthesizer and virtual instrument that electronic music producers love. Its dual oscillator design, range of synthesis modes, and customizable interface make it a top choice for producers looking for a comprehensive and feature-rich synthesizer. Its flexibility and versatility can be heard in tracks by top producers like Zedd, Porter Robinson, and Madeon, and even legendary DJ Richie Hawtin is a fan. Sure, it might be a little pricey, but trust me, it's worth every penny for the amazing sounds and capabilities it provides.